|
Solo and Collaborative Exhibitions |
|||||
|
When? |
What? |
Where at? |
Curated by whomst? |
Notes |
|
|
2025 |
Memory as a Rock Out of Reach collaborative performance with EMA |
the Portland Institute for Contemporary Art, Portland, Or |
Part of the Time Based Art Festival |
||
|
2024 |
Waiting in Vain, in collaboration with garima thakur |
the Front, New Orleans, La |
|||
|
2023 |
Memory as a Rock Out of Reach with EMA |
the Pilot Light, Knoxville, Tn |
Commissioned by Knoxville Community Media |
||
|
2021 |
Frictionless: Holding on For Dear Life collaborative website and discussion series with Ralph Pugay and DB Amorin |
online |
Commissioned by HOLDING Contemporary, Portland, Or, and the Center for Artistic Research, Eugene Or. |
||
|
2021 |
Interrupt Latency, collaborative performance with deSolid State |
Museum of Contemporary Art, Jacksonville, Fl |
|||
|
2021 |
is this just fantasy? collaborative exhibition with Sumru Tekin and Emily Lanctot. |
online |
Organized by Snake House |
||
|
2020 |
Liquid Dungeon Byproduct, collaborative exhibition with Porpentine Charity Heartscape and ESPer99 |
HOLDING Contemporary, Portland, Or |
|||
|
2019 |
Downstream a Shining Wire, with various collaborators |
Open Signal, Portland, Or |
Part of a New Media Fellowship with Open Signal |
||
|
2018 |
Sex Temples, collaborative exhibition with garima thakur |
SOIL Gallery, Seattle, Wa |
|||
|
2018 |
Nightcore Deep Cuts, solo exhibition |
Western Oregon University, Monmouth, Or |
|||
|
2018 |
Utopia Without You, solo exhibition |
HOLDING Contemporary, Portland, Or |
|||
|
2017 |
Shrine Maidens of the Unseelie Court, collaborative installation with Pink Queendom Collective |
Prevail Hostess Club, Tokyo, Japan |
|||
|
2016 |
Queer Futurisms II: End Sinister / Bruise Plastic, collaboration with Leif J. Lee and Mars Dietz |
700b, Portland, Or |
|||
|
2016 |
Queer Futurisms I: All Tomorrows Portals Today, collaboration with Leif J. Lee |
Bronco Gallery, Portland, Or |
|||
|
2015 |
Dynamic Horizons Ltd: Intangibles, collaborative installation |
Composition, Portland, Or |
|||
|
2015 |
Inventory, solo exhibition |
Albatross, Portland, Or |
|||
|
2014 |
Dynamic Horizons Ltd: Deliverables, solo installation |
the Lodge Gallery at Allied Works Architecture, Portland, Or |
|||
|
2013 |
Rendering, solo performance / installation |
Vestibule Gallery, Portland, Or |
|||
|
2013 |
The Breathing Room, solo installation |
Place, Portland, Or |
|||
|
2010 |
Hot Young Suicides: Audition for the 27 Club, solo exhibition |
Stolen and Escaped Gallery, Salt Lake City, Ut |
Amanda Hurtado and Matt Black |
||
|
2010 |
Metropolis Now! solo exhibition |
Sprague Library, Salt Lake City, Ut |
|||
|
2009 |
Pan-Galactic Ghost Chapel: Temporary Infinitarium, solo installation |
the Gittins Gallery, Salt Lake City, Ut |
Undergraduate Research Opportunities Grant funded |
||
|
Group Exhibitions |
|||||
|
When? |
What? |
Where at? |
Curated by whomst? |
Notes |
|
|
2025 |
Body on Me, in collaboration with .Compost Co-op |
the Portland Institute for Contemporary Art, Portland, Or |
|||
|
2025 |
2025 Faculty Exhibition |
The Contemporary Art Gallery at Southeastern Louisiana University, Hammond, La |
|||
|
2024 |
Ctrl + ↑ for Coyote Time |
Trafó Gallery, Budapest, Hungary |
|||
|
2024 |
Enter:, in collaboration with .Compost Co-op |
Institute of Contemporary Art at the Maine College of Art & Design, Portland, Me |
|||
|
2023 |
Girlboss |
Wonderville, Brooklyn, Ny |
|||
|
2023 |
No Fun III: Trans*grese |
etc. galerie, Prague, Czekia |
|||
|
2023 |
Queer Futurities |
Hokin Gallery, Columbia College, Chicago, Il |
|||
|
2023 |
Tiny Flicks |
the Parlour Gallery, New Orleans, La |
|||
|
2022 |
State of the Art: Record |
Louisiana State University Museum of Art, Baton Rouge, La |
|||
|
2022 |
Hannah Ryggen Triennale: Anti Monument, Unweaving the Binary Code |
Kunsthall Trondheim, Trondheim, Norway |
|||
|
2021 |
The Terrifying Ordeal of Being Known |
the Center for Contemporary Art and Culture, Portland, Or |
|||
|
2021 |
Prototypes, in collaboration with deSolid State, Myra Lilith Day, and anonymous |
Converge 45’s Monuments and Memorials Project, Portland, Or |
|||
|
2021 |
Techno-Intimacy, in collaboration with deSolid State and Myra Lilith Day |
the Museum of Contemporary Art, Jacksonville, Fl |
|||
|
2021 |
Radical (Re)Worlding |
the University of British Columbia, Vancouver BC, Canada |
|||
|
2021 |
Partial Permutation |
online for UPFOR Contemporary, Portland, Or |
|||
|
2021 |
Lack and Absence |
Lewis and Clark College, Portland, Or |
Kendall Arlasky and Phoenix Bruner |
Part of the 40th Annual Gender Studies Symposium |
|
|
2020 |
Networks of (Be)Longing |
the Center for Contemporary Art and Culture, Portland, Or |
|||
|
2020 |
ungodly: the spiritual medium |
Disjecta Center for Contemporary Art, Portland, Or |
|||
|
2020 |
No Place but Home |
University of West Florida, Pensacola, Fl |
|||
|
2020 |
State of the Art 2020 |
Crystal Bridges Museum of American Art, Bentonville, Ar |
Alejo Benedetti, Allison Glenn, Lauren Haynes |
||
|
2020 |
Le monde se détache de mon univers |
Michel Journiac Gallery, l’Universitié Paris 1 Panthéon-Sorbonne, France |
Échelle Réele collective |
||
|
2019 |
Dire Jank |
apexart, New York, Ny |
|||
|
2019 |
Say When performance festtival |
the Headwaters Theater, Portland, Or |
Physical Education |
||
|
2019 |
Carriage |
Vacation Gallery, New York, Ny |
|||
|
2019 |
TIME > SPACE > PLACE |
1122 Gallery, Portland, Or |
|||
|
2019 |
Suggestive Themes collaborative work with garima thakur |
Boathouse Microcinema, Portland, Or |
|||
|
2018 |
Recess/ed: Texture, Sound, Vision |
Living Arts of Tulsa, Tulsa, Ok |
|||
|
2018 |
i/C/U: CONNECTION & CONTROL |
S1, Portland, Or |
|||
|
2018 |
2 Years |
Re: Art Show, Brooklyn, Ny |
|||
|
2018 |
Companion Pieces |
Anytime Dept. Cincinnati, Oh |
|||
|
2018 |
Abstract Perceptions, collaborative work with garima thakur |
Portland Oregon Women’s Film Fest, Portland, Or |
|||
|
2018 |
Permadeath |
the Utah Museum of Contemporary Art, Salt Lake City, Ut |
|||
|
2018 |
Outer Ring Cycle III, collaborative augmented reality performance with EMA and Seanna Musgrave |
a Ship in the Woods, Escondido, Ca |
|||
|
2017 |
Post-Truth |
Open Signal, Portland, Or |
|||
|
2017 |
Ganka Gallery, Tokyo, Japan |
||||
|
2017 |
#Altcade 2 |
Open Signal, Portland, Or |
|||
|
2017 |
Weryd Wimmen 5 |
Vox Populi, Philadelphia, Pa |
|||
|
2017 |
Daisy |
27 Arion Pl, Brooklyn, Ny |
|||
|
2017 |
Costumes, Reverence, and Forms |
the Center for Contemporary Art and Culture, Portland, Or |
|||
|
2017 |
Costumes, Reverence, and Forms |
Vox Populi, Philadelphia, Pa |
|||
|
2016 |
New World Unltd |
Shoot the Lobster, New York, Ny |
|||
|
2016 |
Flesh Crisis performance symposium |
La Esquina Gallery, Kansas City, Mo |
|||
|
2016 |
Habitats |
What Is Media? Conference, University of Oregon, Portland, Or |
Jeff Jahn, Criss Moss, Jeremy Swartz |
||
|
2016 |
Mutatis Mutandis / Interior Stroll 2 person show with Hannah Piper Burns |
Tritriangle, Chicago, Il |
|||
|
2015 |
IN THE SPIRIT OF JEAN DUPUY’S 1974 SOUP & TART, collaboration with Hannah Piper Burns |
Zena Zezza, Portland, Or |
Sandra Percival |
||
|
2014 |
The School of Potential Engagement Potential #4 |
HQHQ, Portland, Or |
|||
|
2013 |
In Arms, performance written and organized by Arnold J. Kemp |
PDX Contemporary Art, Portland, Or |
|||
|
2011 |
Anniversary Show |
Stolen and Escaped Gallery, Salt Lake City, Ut |
Amanda Hurtado and Matt Black |
||
|
2010 |
Mixed Media and Works on Paper |
the Rio Gallery, Salt Lake City, Ut |
|||
|
2010 |
Classic Movie Monsters |
Blonde Grizzly, Salt Lake City, Ut |
|||
|
2009 |
35 x 35 Squared |
||||
|
Awards / Residencies |
|||||
|
When? |
What? |
Where at? |
|||
|
2024 |
Nominee, United States Artists Fellowship |
Chicago, Il |
|||
|
2023 |
Nominee, United States Artists Fellowship |
Chicago, Il |
|||
|
2021 |
Regional Arts and Culture Council Build Grant |
Portland, Or |
|||
|
2021 |
University of Oregon Center for Artistic Research artist in residence |
Eugene, Or |
|||
|
2021 |
Ford Family Foundation’s Golden Spot Residency, administered by the Portland Institute for Contemporary Art |
Portland, Or |
|||
|
2020 |
Regional Arts and Culture Council Support Beam grant |
Portland, Or |
|||
|
2019 |
Art Matters Fellowship |
New York, Ny |
|||
|
2019 |
Portland Institute for Contemporary Art Creative Exchange Lab residency |
Portland, Or |
|||
|
2019 |
Open Signal New Media Fellowship |
Portland, Or |
|||
|
2018 |
Regional Arts and Culture Council Project Grant |
Portland, Or |
|||
|
2017 |
Nominee, Joan Mitchell Painters and Sculptors Grant |
New York, Ny |
|||
|
2017 |
Open Signal and Lower Boom Post-Truth Project Grant |
Portland, Or |
|||
|
2017 |
Regional Arts and Culture Council Professional Development Grant |
Portland, Or |
|||
|
2017 |
Nominee, Centrum Emerging Artist Residency |
Port Townsend, Wa |
|||
|
2017 |
Nominee, Brink Award, Henry Gallery, |
Seattle, Wa |
|||
|
2017 |
Regional Arts and Culture Council Project Grant |
Portland, Or |
|||
|
2017 |
Oregon Arts Commission Career Opportunity Grant |
Portland, Or |
|||
|
2015 |
Regional Arts and Culture Council Project Grant |
Portland, Or |
|||
|
2014 |
The Center for Land Use Interpretation residency |
Wendover, Ut |
|||
|
2014 |
MFA Thesis Writing Award, the Pacific Northwest College of Art |
Portland, Or |
|||
|
2013 |
Caldera Arts Center residency |
Sister, Or |
|||
|
2013 |
Unconventional Aesthetics, summer workshop, Anderson Ranch |
Snowmass, Co |
|||
|
2010 |
Commissioned Muralist, Sundance Film Festival |
Park City, Ut |
|||
|
2009 |
People’s Choice Award, 35 X 35 Squared, Finch Lane Gallery |
Salt Lake City, Ut |
|||
|
2009 |
Undergraduate Research Opportunities Program Assistantship, University of Utah |
Salt Lake City, Ut |
|||
|
Speaking |
|||||
|
When? |
What? |
Where at? |
Coordinated by: |
||
|
2024 |
Live play with Tabitha Nikolai, Myra Lilith Day, garima thakur, Zan K, moderated by Maxine Vajt |
Trafóclub, Budapest, Hungary (online) |
|||
|
2022 |
Visiting artist lecture |
Grant Highschool, Portland, Or |
|||
|
2022 |
Street Fighters, Sexologists, and Suburban Cybermages, in conversation with Rob Gallagher |
Manchester Metropolitan University, Manchester, England (online) |
|||
|
2021 |
A Talk, panel discussion with Pace Taylor, Maya Vivas, and Ebenezer Galluzzo |
T+ Projects, Portland, Or (online) |
|||
|
2021 |
Visiting artist lecture, Spring 2021 Visiting Artist Lecture Series |
Cornish College of Art, Seattle, Wa (online) |
|||
|
2020 |
Giant Spiders, Suburbia, and Portals: An Activation and Conversation About Online Communion with Tabitha Nikolai and Emma Lugo |
the Center for Contemporary Art and Culture, Portland, Or (online) |
|||
|
2020 |
On Liveness Now, with Jaamil Olawale Kosoko and Roya Amirsoleymani |
the Portland Institute for Contemporary Art, Portland, Or (online) |
|||
|
2020 |
Visiting artist lecture |
Williams College, Williamstown, Ma (online) |
|||
|
2020 |
jubilee zinevella conversation with tabitha nikolai, interview with writer and artist Victoria Anne Reis for lavender gel film; or barely a mommy blog |
Boring, Or (online) |
|||
|
2019 |
Video Games: Who is Playing Who? Visiting artist lecture |
Queens University, Kingston, On, Canada (online) |
|||
|
2019 |
Interview with writer Elvia Wilke for the launch of her novel Oval |
Yale Union, Portland, Or |
|||
|
2018 |
Post Truth Screening and Panel Discussion |
Open Signal, Portland, Or |
|||
|
2018 |
Visiting artist lecture, Art Now visiting artist lecture series |
Willamette University, Salem, Or |
|||
|
2018 |
Guest artist lecture, Wikipedia Art+Feminism Edit-a-thon |
the Pacific Northwest College of Art, Portland, Or |
|||
|
2017 |
Biohacking and Sissy Hypnosis Videos lecture for “Getting to Know Youtube” |
Boathouse Microcinema, Portland, Or |
|||
|
2014 |
Operating Alternative Spaces, lecture in collaboration with Gabe Flores |
Research Club, Portland, Or |
|||
|
Curatorial / Other Professional |
|||||
|
When? |
What? |
Where at? |
Notes: |
||
|
2024-25 |
Interim Gallery Director |
Contemporary Art Gallery, Southeastern Louisiana University, Hammond, La |
|||
|
2014-21 |
Gallery Coordinator |
Portland State University School of Art + Design, Portland, Or |
|||
|
2014-19 |
Freelance preparator and art handler |
Clients included: Melanie Flood Projects, Zena Zezza, the Regional Arts and Culture Council, the Museum of Contemporary Craft, Arts Council of Lake Oswego, Yale Union, the Pacific Northwest College of Art. |
|||
|
2018 |
Curator Children of Revulsion group exhibition |
Killjoy Collective, Portland, Or |
|||
|
2015-17 |
Co-founder and Co-curator |
Compliance Division, Portland, Or |
In collaboration with Hannah Piper Burns |
||
|
2013-15 |
Co-founder and Co-curator |
Surplus Space, Portland, Or |
In collaboration with Gabe Flores |
||
|
2011-14 |
Assistant Curator and Gallery Manager |
Place, Portland, Or |
In collaboration with Gabe Flores |
||
|
Bibliography: Press, Interviews, Published Art, Criticism |
|||||
|
When? |
Title? |
Written By Whomst? |
Published By Whomst? |
||
|
2025 |
“Stuck in Suburbia: Ineffable Glossolalia,” chapter appearing in Artgames after GamerGate |
Palgrave MacMillan |
|||
|
2025 |
MIT Press |
||||
|
2024 |
“Trans/futurities: Queering the Cyborg as a Strategy of Trangender Disidentification,” essay appearing in Monsters and Monstrosity in Media: Reflections on Vulnerability |
Vernon Press |
|||
|
2023 |
“Queering the Metaverse: Queer Approaches to Virtual Reality in Contemporary Art,” essay appearing in the Future of Digital Communication: the Metaverse |
CRC Press / Taylor & Francis Group |
|||
|
2023 |
“OurWorldHomeCafe.online” mock advertisement |
Art published in collaboration with garima thakur |
|||
|
2023 |
Anaris Edwards |
the Columbia Chronicle |
|||
|
2023 |
Ada Lovelace Institute |
||||
|
2022 |
Hannah Ryggen Triennale: Anti-monument, exhibition catalog, |
Edited by Solveig Lønmo |
Archive Books |
||
|
2022 |
Melissa Kagen |
MIT Press |
|||
|
2022 |
Stian Gabrielsen |
Kunstkritikk |
|||
|
2022 |
Stian Gabrielsen |
Kunstkritikk |
|||
|
2022 |
“No / And: Contemporary Conversations About Queer and Trans Art,” essay appearing in Conditions |
Center for Art Research, University of Oregon |
|||
|
2021 |
Conner Reed |
Portland Monthly |
|||
|
2021 |
“Building Virtual Worlds: Video Games and Autobiographical Architecture,” |
the Architectural Review |
|||
|
2021 |
Personal art |
Stillpoint Magazine |
|||
|
2020 |
“Dirty Footprints and Degenerate Archives: Tabitha Nikolai’s Impure Walking Sims,” |
the Journal of Gaming and Virtual Worlds, vol 12, issue 1 |
|||
|
2020 |
“Connective Conversations: Curator/Critic Tours and Lectures 2015-2019” print catalog |
Personal art |
University of Oregon |
||
|
2020 |
“Le monde se détache de mon univers,” print catalog |
Personal art |
Échelle Réele collective |
||
|
2020 |
“State of the Art 2020” print catalog |
Personal art |
Crystal Bridges Museum of American Art |
||
|
2019 |
Nilson Caroll |
Fence Digital |
|||
|
2019 |
Charlie Markbreiter |
Art in America |
|||
|
2019 |
Holland Cotter |
the New York Times |
|||
|
2019 |
“Tribeca’s Video-Focused Gallery Shows Reveal the Neighborhood’s Cutting-Edge Art Scene,” |
Observer |
|||
|
2019 |
Elizabeth Larison |
apexart |
|||
|
2019 |
“Dire Jank – An Art Exhibition Showing the Dynamic Connection Between Videogames and Art,” |
Tai |
Nerdier Tides |
||
|
2019 |
“Walk Through ‘Ineffable Glossolalia’ with Tabitha Nikolai,” |
Yawen Hu |
Musee Magazine |
||
|
2018 |
|||||
|
2018 |
“tabitha nikolai's virtual worlds explore trans identity and social isolation,” |
Brendan Seibel |
i-D Magazine |
||
|
2018 |
|||||
|
2018 |
Joey Schutz |
Medium |
|||
|
2018 |
“Art Exhibit 'Utopia Without You' Attempts to Escape a Hostile World Using Balls of Trash and Video Games,” |
Shannon Gormley |
Willamette Week |
||
|
2018 |
“Tabitha Nikolai at Williamson | Knight” |
Anonymous |
Try Harder PDX |
||
|
2018 |
“Feel Yourself: Recess/ed at Living Arts” |
Art Review Oklahoma |
|||
|
2018 |
“Killjoy Collective makes space for ‘Children of Revulsion'” |
Oregon ArtsWatch |
|||
|
2018 |
KBOO Community Radio |
||||
|
2018 |
|||||
|
2018 |
Hailey Oliphant |
the Daily Utah Chronicle |
|||
|
2018 |
Scott Renshaw |
Salt Lake City Weekly |
|||
|
2018 |
Parker Scott |
SLUG Magazine |
|||
|
2018 |
|||||
|
2017 |
“'Costumes, reverence, and forms': And the greatest of these is reverence,” |
Laurel Reed Pavic |
Oregon ArtsWatch |
||
|
2016 |
“Charlotte Street Peddles Flesh, a Cherry Pit Blows Up, and More of the Week’s Art Events” |
Tracy Abeln |
the Picth |
||
|
2016 |
|||||
|
2016 |
Eleanor Ford |
the Portland Mercury |
|||
|
2015 |
André Filipek |
Willamette Week |
|||
|
Bibliography: Personally Authored Writing |
|||||
|
When? |
Title? |
Published where? |
Notes: |
||
|
2022 |
“bitMold” |
Tropical Contemporary Transformations Residency Catalog |
Poetic essay as part of bitMold Collective |
||
|
2021 |
Stillpoint Magazine |
||||
|
2019 |
“Dispelling an Event Horizon” |
print catalog essay, Open During Construction 2019 BFA Exhibition, published by Portland State University |
|||
|
2017 |
“Athame” |
Notes from the Outer Ring, distributed with the album Exile in the Outer Ring by EMA |
|||
|
2017 |
“Sept. 2nd, 2016” |
Earth Saga Press |
|||
|
2016 |
15 Bytes |
Exhibition review |
|||
|
2015 |
Panhandler Magazine |
Short science fiction, images |
|||
|
2015 |
“Character Select Screen” |
New World Unltd: #1, published by GWC Investigators and Social Malpractice Publishing |
Short essay and images |
||
|
2014 |
Resident Residency |
||||
|
2014 |
“Volatile Memory” |
Print catalog essay for the exhibition Low at Duplex, Portland, Or |
|||
|
2013 |
“4chan Saves Lives” |
||||
|
Education |
|||||
|
When? |
What? |
Where at? |
|||
|
2014 |
MFA in Visual Studies |
the Pacific Northwest College of Art, Portland, Or |
|||
|
2010 |
BFA emphasizing Painting and Drawing |
the University of Utah, Salt Lake City, Ut |
|||
|
Teaching |
|||||
|
When? |
What? |
Where at? |
Notes: |
||
|
2019-26 |
Individual artist mentor |
Visual Studies and Low Residency in Visual Studies MFA programs, the Pacific Northwest College of Art, Willamette University, Portland, Or |
Individual meetings, critique, research assistance, and professional practice. Both online and in-person. |
||
|
2025 |
ART 1100 Beginning Drawing |
Department of Visual Art and Design, Southeastern Louisiana University, Hammond, La |
Linear perspective, gesture drawing, sighting and measuring, charcoal and graphite. |
||
|
2025 |
ART 1540 Foundation ins Visual Language II: Digital Media Concepts and Inquiry |
Department of Visual Art and Design, Southeastern Louisiana University, Hammond, La |
Basic 2d digital image workflow and file management, digital colorspaces, video game design in Bitsy |
||
|
2024 |
ART 1900 New Media and Animation I |
Department of Visual Art and Design, Southeastern Louisiana University, Hammond, La |
Basic digital photography, Photoshop, Illustrator, and After Effects |
||
|
2024 |
ART 422 Senior Projects |
Department of Visual Art and Design, Southeastern Louisiana University, Hammond, La |
Co-taught, BFA final projects capstone class. Writing, critique, and professional practices. |
||
|
2021-22 |
Interim MFA Studio Art Program Coordinator |
School of Art + Design, Portland State University, Portland, Or |
Position involved budget oversight, degree planning, and is the lead faculty, and primary point of contact for the program. |
||
|
2021-22 |
ART 586 Visiting Artist Projects |
School of Art + Design, Portland State University, Portland, Or |
Coordinating departmental visiting artist calendar. |
||
|
2019-22 |
ART 580 Directed Studies |
School of Art + Design, Portland State University, Portland, Or |
Individual meetings, critique, research assistance, and professional practice. |
||
|
2018-21 |
ARH 598 Contemporary Art I |
School of Art + Design, Portland State University, Portland, Or |
Seminar of contemporary art and related thematic / conceptual / political issues. |
||
|
2021 |
ART 599 MFA Exhibition Critique |
School of Art + Design, Portland State University, Portland, Or |
Group critique in interdisciplinary visual art. |
||
|
2021 |
ART 499 BFA Oral Review |
School of Art + Design, Portland State University, Portland, Or |
Co-taught, BFA final projects capstone class. Writing, critique, and professional practices. |
||
|
2021 |
ART 582 MFA Graduate Seminar II: Writing and Research |
School of Art + Design, Portland State University, Portland, Or |
Writing for clarity, style, citations in Chicago style, research strategies, and editing. |
||
|
2021 |
ART 496 BFA Project I |
School of Art + Design, Portland State University, Portland, Or |
Co-taught, BFA final projects capstone class. Writing, critique, and professional practices. |
||
|
2020 |
ART 578 Studio Practice: Workshop |
School of Art + Design, Portland State University, Portland, Or |
|||
|
2020 |
DES 408 Workshop: Videogames and Virtual Worlds |
School of Art + Design, Portland State University, Portland, Or |
Intro to video game design , conceptual readings, and intro to the Unity game engine. |
||
|
2020 |
“Make Videogames Now!” |
Make+Think+Code, Portland, Or |
Community ed workshop introducing game design in Twine and Bitsy |
||
|
2019-20 |
Individual artist mentor |
Open Signal New Media Fellowship, Portland, Or |
Individual meetings, critique, research assistance, and professional practice. |
||
|
2019 |
ART 303 Making and Meaning |
School of Art + Design, Portland State University, Portland, Or |
Creative research strategies for artists, semiotics, systems thinking, issues in contemporary art. |
||
|
2018 |
Individual artist mentor |
Prequel Artist Incubator, Portland Or |
Individual meetings, critique, research assistance, and professional practice. |
||
|
2018 |
“Virtual Bob Ross” workshop |
ahha, Tulsa, Ok |
basics of Unity video game engine terrain tools |
||
|
2017 |
ART 182 Idea and Form |
School of Art + Design, Portland State University, Portland, Or |
Creative research strategies for artists, semiotics, systems thinking, issues in contemporary art. |
||
|
2017 |
ART 203 Making and Meaning |
School of Art + Design, Portland State University, Portland, Or |
Creative research strategies for artists, semiotics, systems thinking, issues in contemporary art. |
||
|
2016 |
Individual artist mentor |
Prequel Artist Incubator, Portland Or |
Individual meetings, critique, research assistance, and professional practice. |
||
|
2016 |
MA thesis editor for the Critical Theory + Creative Research program, the Pacific Northwest College of Art, Portland, Or |
the Pacific Northwest College of Art, Portland, Or |
One on one thesis editing for clarity, style, and adhesion to proper citation formats. |
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2015-16 |
IM201 Theory and Practice: Art in Context |
the Pacific Northwest College of Art, Portland, Or |
Creative research strategies for artists, semiotics, systems thinking, issues in contemporary art. |
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2008-09 |
Visiting painting and printmaking workshop facilitator |
Murray Highschool, Salt Lake City, Ut |
Demonstrating relief printing, spray painting, and wheat pasting. |
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